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Maria Callas

3,721 Followers

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102.6K Plays

Popular Songs

Puccini: Gianni Schicchi, O Mio Babbino Caro
Maria Callas
2:35
2:35
La Wally, Act 1: "Ebben?...Ne andrò lontana" (Wally)
Maria Callas, Philharmonia Orchestra, Tullio Serafin
4:55
4:55
Carmen, Act 1: "L'amour est un oiseau rebelle" (Habanera) [Carmen] [ft. Georges Pretre]
Maria Callas, Orchestre National de la Radiodiffusion Française, Georges Prêtre
4:05
4:05
Gianni Schicchi, 'O Mio Babbino Caro'
Maria Callas
2:35
2:35
L'Amour Est Un Oiseau Rebelle Carmen Acte 1
Maria Callas
4:19
4:19

Biography

Maria Callas, Commendatore OMRI (Greek: Μαρία Κάλλας; December 2, 1923 – September 16, 1977), was an American-born Greek soprano and one of the most renowned and influential opera singers of the 20th century. Critics praised her bel canto technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. Her musical and dramatic talents led to her being hailed as La Divina. Born in New York City and raised by an overbearing mother, she received her musical education in Greece and established her career in Italy. Forced to deal with the exigencies of wartime poverty and with myopia that left her nearly blind onstage, she endured struggles and scandal over the course of her career. She turned herself from a heavy woman into a svelte and glamorous one after a mid-career weight loss, which might have contributed to her vocal decline and the premature end of her career. The press exulted in publicizing Callas's allegedly temperamental behavior, her supposed rivalry with Renata Tebaldi and her love affair with Greek shipping tycoon Aristotle Onassis. Although her dramatic life and personal tragedy have often overshadowed Callas the artist in the popular press, her artistic achievements were such that Leonard Bernstein called her "the Bible of opera" and her influence so enduring that, in 2006, Opera News wrote of her: "Nearly thirty years after her death, she's still the definition of the diva as artist—and still one of classical music's best-selling vocalists."