Revisit: Tokyo Idols and Urban Life

In a special programme looking ahead to International Women’s Day on March 8th, Shahidha Bari looks at how women express themselves in language, argument, poetry and art. Her guests include:Sara Ahmed is the author of No is Not a Lonely Utterance Karen McCarthy Woolf's latest poe ...  Show more

Is authority a justly unfashionable quality that we should consign to the past? Or does it still have a place in political and business leadership, schools, medical settings and in the home? What is the difference between authority and power, how have historical shifts such as th ...  Show more

Tomoko Hojo is an artist working with the fluidity between sound, music and performance. Recently she has been working on the theme of what makes (women’s) silenced voices audible in history, with a special focus on Japanese women who developed relationships with western countrie ...  Show more

Tamaki Ueda, aka Banetoriko, is a Japanese noise music artist who was born in Nara, moved to Los Angeles, and finally established herself in Osaka. Her music, composed with a self-made metal instrument named Banetek, is inspired by yokai, the supernatural creatures from Japanese ...  Show more

When WOMB opened in 2000, Japan’s nightlife scene was still in its infancy with a strict ban on dancing after midnight that made it almost impossible to run a regular nightclub. But over the past two decades, the revolutionary club has transformed the way people in Tokyo party. T ...  Show more

Tokyo Boogie-Woogie: Japan's Pop Era and its Discontents (Harvard University Press, 2017) by Hiromu Nagahara is the first English-language history of the origins and impact of the Japanese pop music industry. The book connects the rise of mass entertainment, epitomized by ryūkōka ...  Show more