Jennifer Dixon, "Dark Pasts: Changing the Sta...

Ozu and the Ethics of Indeterminacy (Duke University Press, 2026) re-examines cinema studies through the work of Japanese filmmaker Yasujirō Ozu, employing the multiple methodologies and indeterminacy of Ozu’s films as a model for discussions of cinema’s relationship to the world ...  Show more

Feng Xiaogang's New Year Films: Industry, Regulation, Humour and Authorship (Routledge, 2025) offers not only an in-depth study of Feng Xiaogang as a cinematic auteur but also a comprehensive and informative discussion of the industrial transformation of mainstream Chinese cinema ...  Show more

Sarah Kovner’s Prisoners of the Empire: Inside Japanese POW Camps (Harvard UP, 2020) is a nuanced look at the experiences, narratives―and the popular/historical memories of those experiences and narratives―of World War II-era Allied POWs in Japanese custody, especially in the Eng ...  Show more

Embattled Dreamlands: The Politics of Contesting Armenian, Kurdish and Turkish Memory (Routledge, 2020) explores the complex relationship between competing national myths, imagined boundaries and local memories in the threefold-contested geography referred to as Eastern Turkey, W ...  Show more

The scene is Turkey in the mid-to-late Seventies. A young male college student hops onto a bus. He sits next to a cute female student from his class, but before they can strike up a conversation, they see a right-wing passenger, walk up to another passenger and hit him on the hea ...  Show more

Mia Wong is joined by Robert Evans to discuss Nobusuke Kishi.

FOOTNOTES: