Linda C. Ehrlich, "The Films of Kore-eda Hiro...

What counts as China, and who counts as Chinese? China became a capitalist superpower by investing in globalization. Now that it has established its credentials—and emerged as a major US competitor—its leaders are looking within, focused on suppressing dissent and fostering cohes ...  Show more

Standardizing Empire: The US Military, Korea, and the Origins of Military-Industrial Capitalism (U Pennsylvania Press, 2026) by Dr. Patrick Chung traces the origins of today’s United States-led capitalist world economy. The nation’s foreign policy during the Cold War saw two unpr ...  Show more

We asked him about his decision to set the film between 2005 and 2011 — a significant moment in Sudan’s recent history — and who he made the film for: international viewers curious about Sudan or Sudanese cinema-goers reflecting on themselves. Finally, we untangle some of the ...

Labour leader Keir Starmer joins to discuss his party's new arts strategy, which he unveiled this morning, aiming to boost access to the arts and grow the creative industries.Writer and theologian Professor Tina Beattie and critic and broadcaster Matthew Sweet review Marilynne Ro ...  Show more

The Nobel-winning novelist best known for 'The Remains of the Day' and 'Never Let Me Go' reflects on his journeys from Japan to England and from writing songs to fiction; why he has often written characters who deceive themselves and repress their emotions; and why he wanted to a ...  Show more

Being a director, winning the Angénieux Encouragement Award at Cannes, navigating the film industry, and differences between working on ads, TV and cinema: award-winning Egyptian director Haya Khairat gives us an insider view on life behind the camera. 

In conversation w ...