Rocky IV and Transformers: an Interview with ...

Perhaps the most significant piece of Star Wars music of the prequel trilogy, "Duel of the Fates" for chorale and orchestra boldly captures the struggle between light and darkness. We discuss the personal influences that composer John Williams brings to his compositions, and do a ...  Show more

In 1999, Star Wars and its music were about to change forever. In this introductory episode to the Phantom Menace and prequel trilogy, we discuss how George Lucas and composer John Williams had changed the entertainment industry with their genius, and how their work between trilo ...  Show more

What Does a Childhood Memory Look and Sound Like? That's a question we explore with the "Minari" director, who revisited his memories of growing up on an Arkansas family farm in the 1980s to make this film. And for the second half of the podcast Isaac and I welcome his composer E ...  Show more

The Oscar and Grammy winning composer, who has masterfully scored some 150 films, reflects on his musical influences; how he began combining instruments and technology to produce new sounds; why he nearly passed on projects for which he later produced iconic work, including 'The ...  Show more

When Jon Favreau joined Edith to discuss his remake of The Jungle Book, he revealed that the aspect of the film he was most preoccupied with was the music. Our latest guest Bill Condon says much the same thing about his retelling of a more recent Disney classic, Beauty And The Be ...  Show more

Our latest guest on Soundtracking is a composer we've been wanting to get on for absolutely ages. Michael Price has worked on a huge range of projects for film and television, including Dracula, Horrid Henry, Hot Fuzz, Band Of Brothers and, of course, Sherlock - for which he won ...  Show more