How to Edit a Star Wars Movie with Rogue One ...

We are taking a break from the creative side this week to get straight into the hard reality of the industry: the money. If you want to make films, you need to understand how the numbers work. Giles Alderson is joined (in his hotel room) in Bulgaria by Tony Cook and Zak Fenning t ...  Show more

While Giles is away working on his own feature, the brilliant Conor Boru has stepped into his shoes to co-host (and edit) alongside Dom Lenoir, and they have delivered an absolute belter of an episode. Today, the lads sit down with director and co-writer Brian Duffield and author ...  Show more

What is the difference between editing a film versus editing television episodes? How do you efficiently cut while shooting and what are the benefits to doing so? How should you react when the director or producer gives you feedback that you may disagree with?  In today’s episod ...  Show more

As an editor, should you specialize in documentary film or narrative film? Who says you can’t do both? Editor Daniel Garber proves it’s possible, sharing his unique approach to editing some of his most recent projects. He dives into the nuances of pacing, note-taking, and the art ...  Show more

Maura Corey is the picture editor of Gen V, a satire about young adult superheroes. Walter Schulz is the visual effects supervisor behind The Curse, a story about a cursed couple who are part of a reality show. These two creatives share how they got their start, their work proces ...  Show more