How to Edit a Star Wars Movie with Rogue One ...

Filmmakers, welcome back to the pod! Today we are stripping away the craft and diving headfirst into the absolute engine room of our industry: The Business of Film. Giles Alderson is joined by a massive powerhouse panel to dissect the current state of the market, the realities of ...  Show more

Filmmakers, we have an absolutely magical episode for you this week! While Giles Alderson has been out in Bulgaria producing his latest feature film, the brilliant Conor Boru steps into the host chair to sit down with the phenomenal director Susanne Bier to discuss her massive ne ...  Show more

What is the difference between editing a film versus editing television episodes? How do you efficiently cut while shooting and what are the benefits to doing so? How should you react when the director or producer gives you feedback that you may disagree with?  In today’s episod ...  Show more

As an editor, should you specialize in documentary film or narrative film? Who says you can’t do both? Editor Daniel Garber proves it’s possible, sharing his unique approach to editing some of his most recent projects. He dives into the nuances of pacing, note-taking, and the art ...  Show more

Maura Corey is the picture editor of Gen V, a satire about young adult superheroes. Walter Schulz is the visual effects supervisor behind The Curse, a story about a cursed couple who are part of a reality show. These two creatives share how they got their start, their work proces ...  Show more

Today’s guest is award winning editor, Mikkel E.G. Nielsen. Mikkel is an editor and director known for films such as Sound of Metal, Beasts of No Nation, and most recently, The Banshees of Inisherin. Mikkel shares what he appreciates most about being a film editor. In this episo ...  Show more