How to go from Shorts to Features, Raise Fina...

[From the Vault] Directing Blockbusters: Dexter Fletcher on Rocketman, Ghosted & Surviving Studio Pressure While we prep our upcoming Business of Film Special, we are unlocking the vault to revisit one of our most popular masterclasses with the brilliant actor-turned-director Dex ...  Show more

Leveling Up the Second Feature: George Jaques on Directing, writing and producing Sunny Dancer, Bella Ramsey & Neil Patrick Harris How do you transition from a £500k indie debut to a massive ensemble feature starring some of the biggest names in television and film? This week on ...  Show more

In order to make your movie, you need money. So how do you get over that uncomfortable feeling of asking people to invest in your project? And once you have the financing, how do you get over the fact that your movie is not going to be appreciated by all audiences? In today’s ep ...  Show more

In this episode, GG Hawkins and Jason Hellerman dig into the behind-the-scenes business of micro-budget filmmaking. They tackle a fan-submitted Ask No Film School question about run-and-gun filmmaking risks, E&O insurance, and securing distribution when shooting without proper pe ...  Show more

How do you handle post set blues? How do you properly adapt something you don’t have the rights for? What can we all learn from Taylor Swift’s recent movie?  In today’s episode, No Film School’s Charles Haine, GG Hawkins, and Jason Hellerman discuss: Shooting an indie film in p ...  Show more

In life, we can’t please everyone. There will be people who “get us” and others who simply don’t. It’s the same when you’re a filmmaker. Your work won’t vibe with everyone who sees it, and that’s totally okay! It’s time to face your fears, give it your all, and create those proje ...  Show more