Business Weekly: No Bullsh*t Leadership with Kwame Kwei-Armah

Business Weekly: No Bullsh*t Leadership with ...

Up next

What Everyone Gets Wrong About Iran, with Clarissa Ward and Lyse Doucet (Part Two)

Since the United States and Israel launched coordinated strikes on Iran in late February, the world has changed dramatically. More than fourteen countries have now become embroiled in the conflict and there is widespread fear the war could impact the world for years to come. Clar ...  Show more

What Everyone Gets Wrong About Iran, with Clarissa Ward and Lyse Doucet (Part One)(Part One)

Since the United States and Israel launched coordinated strikes on Iran in late February, the world has changed dramatically. More than fourteen countries have now become embroiled in the conflict and there is widespread fear the war could impact the world for years to come. Clar ...  Show more

Recommended Episodes

Dr Linda Yueh
No Bullsh*t Leadership with Chris Hirst

In this straight-talking podcast brought to you by Intelligence Squared, Chris Hirst cuts through the bullshit and gets to the heart of modern leadership. In this episode, Chris speaks to the economist, writer and broadcaster, Dr Linda Yueh. Dr Yueh is a Fellow of Economics at St ...  Show more

KWAME KWEI-ARMAH / FELLOWS FESTIVAL 2024
RSA Events

Kwame Kwei-Armah, artistic director, Young Vic theatre, delivers the 2024 RSA Fellows Festival keynote address on COURAGE

#FELLOWSFESTIVAL #FELLOWS ...

  Show more

Info to Know: Insights from the Leadership Journeys of African American Executive
The Steve Harvey Morning Show

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert ana ...  Show more

Kwame Kwei-Armah: Are audiences prepared to engage?
The Interview

Stephen Sackur speaks to Kwame Kwei-Armah, artistic director of the Young Vic theatre in London. His work poses questions about race, identity, equality and justice. In an era of political polarisation, are audiences prepared to engage?