How Edgar Wright makes original movies in an ...

Kim Masters talks to screenwriter David Koepp about Disclosure Day, his latest collaboration with director Steven Spielberg. After Spielberg sent Koepp a 40 page treatment for the movie, which Koepp gave notes on, Spielberg emailed him back that “it’s your problem now.” Koepp als ...  Show more

This week, Kim Masters talks to Alvaro Bedoya, a former FTC Commissioner, about why he objects to the Paramount-Warner Brothers merger. Bedoya says it will mean fewer jobs, higher subscription fees for consumers, and more censorship when the Ellison family - who own Paramount Sky ...  Show more

The new issue of Empire, curated by Edgar Wright, features a celebration of the type of amazing movie-going moment that can shake an audience to its very foundations. It features contributions from some of the biggest names in the business, and is so special that we decided that ...  Show more

With Christopher Nolan now an Oscar-winner, this particular episode of Film Stories begins by zipping back to 2017, when he had a his first serious drive-by of the Academy Awards. That'd be with Dunkirk, the first time he told a true story on film. It took him a long time to be i ...  Show more

Director Edgar Wright discusses his new film, Last Night in Soho, with fellow director Phil Lord in a Q&A at the DGA theater in Los Angeles. The film follows an aspiring fashion designer who encounters an ambitious singer when she mysteriously travels to the 1960s, but their faça ...  Show more

It's a triple header on this week's Soundtracking, as Edith is joined first by Edgar Wright to discuss his first foray into documentary filmmaking - The Sparks Brothers - and then by Russell and Ron themselves - the groundbreaking duo who've been smashing the mould for half a cen ...  Show more