I Write Sins, Not Tragedies, Part 2

These days, country and pop acts regularly invade each other’s territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics abou ...  Show more

These days, country and pop acts regularly invade each other’s territory. But in Nashville during the 1970s, “crossover” was a dirty word. Then came two rising stars who offered up a new hybrid of Americana-style pop.John Denver infused his folk balladry with homespun lyrics abou ...  Show more

This week, the panel is joined by pop critic and chart analyst (and host of Slate’s Hit Parade podcast) Chris Molanphy for our annual Summer Strut episode. The four dive into the longest listener-suggested summer playlist to date (this year, it’s a 682 song behemoth that adds up ...  Show more

Pop culture is full of fictional bands singing songs purpose-made to capture a moment, a sound. This music doesn’t organically emerge from a scene or genre, hoping to find an audience. Instead it fulfills an assignment: it needs to be 1960s folk music, 1970s guitar rock, 80s hair ...  Show more

This is the first From The Vault track that we get to breakdown.. It's Electric Touch featuring Fall Out Boy. The song is pretty straight forward but it does stir up some feelings in Ana and Lacey!Listen to the latest song breakdown as we are just starting to wrap up the Speak No ...  Show more

Pop culture is full of fictional bands singing songs purpose-made to capture a moment, a sound. This music doesn’t organically emerge from a scene or genre, hoping to find an audience. Instead it fulfills an assignment: it needs to be 1960s folk music, 1970s guitar rock, 80s hair ...  Show more