Roshanak Kheshti, “Modernity’s Ear: Listening...

Mothers and fathers use their time differently, with women spending roughly twice as many hours on family labor as men. But what about the gendered differences in the ways women and men think? What’s on Her Mind examines the cognitive labor that families depend on, and reveals wh ...  Show more

A sympathetic critique that attempts to free Left politics from its own snares, States of Injury: Power and Freedom in Late Modernity (Princeton University Press, 2025) explores how woundedness became a basis for contemporary political identity. Without condemning identity politi ...  Show more

Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provide ...  Show more

Lynn Adib performed three musical pieces: Youmma, Taht El Ward & Autruche followed by a discussion.

Born and raised in Damascus, Syria. Lynn Adib is a singer, composer who has been exploring Arabic music and improvisation through Jazz music that she discovered around the ...

Rima Khcheich performed three musical pieces: Al Sama'a wel Rah, Harram El Noum & Washwishni.

Rima Khcheich is well renowned for having given its rebirth to the Andalusian form Muwashah, as well as to the traditional Arabic repertoire of the 19th and 20t ...

In this Quartertones event, we listened to Adnan Joubran as he performed three musical pieces followed by a discussion.

Created & Hosted by Mikey Muhanna, afikra 

Edited by: Ramzi Ramman

Theme music b ...