Roshanak Kheshti, “Modernity’s Ear: Listening...

From the author of Work Won't Love You Back, a stirring examination of how collective grief can ignite powerful change. Our era is one of significant and substantial loss, yet we barely have time to acknowledge it. The losses range from the personal grief of a single COVID death ...  Show more

In the middle decades of the nineteenth century, imperial powers around the world came into direct confrontation with local resistance in the form of maritime raiding. From the Atlantic basin to the western Mediterranean Sea, the Persian Gulf and the east coast of Africa, and Sou ...  Show more

Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provide ...  Show more

Lynn Adib performed three musical pieces: Youmma, Taht El Ward & Autruche followed by a discussion.

Born and raised in Damascus, Syria. Lynn Adib is a singer, composer who has been exploring Arabic music and improvisation through Jazz music that she discovered around the ...

Rima Khcheich performed three musical pieces: Al Sama'a wel Rah, Harram El Noum & Washwishni.

Rima Khcheich is well renowned for having given its rebirth to the Andalusian form Muwashah, as well as to the traditional Arabic repertoire of the 19th and 20t ...

In this Quartertones event, we listened to Adnan Joubran as he performed three musical pieces followed by a discussion.

Created & Hosted by Mikey Muhanna, afikra 

Edited by: Ramzi Ramman

Theme music b ...