How Do You Know What to Cut on the Editing Fl...

Writer-director Sabrina Greco joins No Film School to discuss the making of her feature debut, Lockjaw, a dark comedy centered on a woman whose jaw is wired shut after a car accident. Greco explains how the project grew from a short into a feature, why she committed to an 11-day ...  Show more

Writer-director Alex Ullom and producers Carrie Carusone and Evan Barber break down the unconventional path behind It Ends, their micro-budget indie horror feature about four friends trapped on an endless road. They explain how they raised their initial financing, leaned on their ...  Show more

Many writer/directors have gotten their starts with short films. Today we discuss what makes a great short, and how they can help (and not help) advance your career as a writer! Learn more about your ad choices. Visit megaphone.fm/adchoices 

In this Filmmaking Stuff Podcast episode, you'll learn the essentials of producing a movie with the leanest team possible. Tom Malloy takes you through filming a simple scene like a family dinner, demonstrating how you can achieve cinematic quality regardless of your budget. You' ...  Show more

In this episode, we explore the idea that "yes plus time equals no" in filmmaking. In other words, you must take advantage of opportunities when they come up, or you may miss your chance and lose momentum. By following this advice, you can be more productive and produce more movi ...  Show more

Mark, Maddy, and Ryan enter the editing suite only to realize what they shot is NOT WORKING! They speak to comedy turned horror director Nahnatchka Khan (Totally Killer, Always Be My Maybe) about how to save a struggling film after you’ve already shot it. Recognizing the crucial ...  Show more