Why Making a Good Music Documentary Means Speaking Two Universal Languages

Why Making a Good Music Documentary Means Spe...

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Shooting in Real Time with “The Pitt” DP Johanna Coelho

In this episode of the No Film School Podcast, GG Hawkins speaks with cinematographer Johanna Coelho about building the immersive visual language behind The Pitt. Coelho breaks down how she approached the show’s real-time structure, 360-degree hospital set, handheld camera moveme ...  Show more

A Path to Profitability in an Industry Built on Fear?

GG Hawkins speaks with Kino co-founders Brit MacRae and Daril Fannin about the broken handoff between post-production and release, and how insecure screeners, fragmented feedback workflows, and fear-based distribution norms undermine independent film. They break down Kino’s evolu ...  Show more

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