The Fool Gets Hurt in Fellini’s “La Strada” (...

A coffin like a little frosted cake, a lily of the valley for the dead boy’s hand, an invitation to serve as a page at court: the second half of “First Death in Nova Scotia” keeps borrowing the imagery of a royal wedding. Why does Jack Frost paint Arthur’s hair red instead of dra ...  Show more

In the cold, cold parlor of Elizabeth Bishop’s “First Death in Nova Scotia,” a child is lifted up to say goodbye to her little cousin Arthur, laid out beneath chromographs of the British royal family and beside a loon shot and stuffed by Arthur’s own father. The title is a small ...  Show more

The Italian maestro best known for the Oscar-winning 'The Great Beauty' reflects on how a childhood tragedy set him on the path to becoming a filmmaker, his six collaborations with the actor Toni Servillo and being chosen to represent Italy at the Oscars for a second time. Learn ...  Show more

Topics covered include: struggling to take a compliment, the pressure of the clock, unorthodox techniques for playing a character in physical pain, worst days on set, resisting comfort, Ari’s snappy attitude, Joaquin fainting mid-take with Patti Lupone, the experience of bruta ...

The legendary filmmaker reflects on the tug of war that he has always felt between his faith and the reality of his life, and how that has shaped the films that he has made; the origins and evolution of his special relationships with Robert De Niro and Leonardo DiCaprio; how his ...  Show more