The Chinese Language Revolution

Virginia Evans’s debut novel, “The Correspondent,” was published last April and became one of the publishing industry’s heartwarming champions of 2025: a slow-burn success story that gathered momentum over the summer and fall and finally topped the New York Times hardcover best-s ...  Show more

Ian McEwan’s latest novel, “What We Can Know,” is many things at once: It’s a science fiction imagining of a future world devastated by climate catastrophe; it’s a literary mystery about a scholar’s search for a long-lost poem; it’s a deep dive into complicated marriages; and it’ ...  Show more

In this episode, I had the pleasure of speaking to Peggy Wang about her new book, The Future History of Contemporary Chinese Art (Minnesota University Press, 2021). In the book, Wang asks readers to reconsider the term “global” and “world” in relation to the (often simplistically ...  Show more

Re-Orienting China: Travel Writing and Cross-Cultural Understanding (U Regina Press, 2016) challenges the notion of the travel writer as imperialistic, while exploring the binary opposition of self/other. Featuring analyses of rarely studied writers on post-1949 China, including ...  Show more

As China strove for a larger role on the international stage at the turn of the century, the arrival of the internet and a relatively relaxed political environment spurred a boom in self-expression. Many writers tested the boundaries of Chinese literary culture, experimenting ...

In this episode, Jacke talks to Jeremy Tiang about his new translation of The Wedding Party, a Chinese classic contemporary novel written in the early 1980s by Liu Xinwu, one of the originators of what has been termed "scar literature." PLUS we feature a sneak preview of our conv ...  Show more