The Chinese Language Revolution

Andy Weir’s first time at the Hollywood rodeo was a singular trip. His debut novel, “The Martian,” went from self-published project to blockbuster, best picture-nominated film starring Matt Damon. His third book, “Project Hail Mary,” was also a sensation, and its adaptation, star ...  Show more

Since the publication of her first novel, “Love Medicine,” in 1984, Louise Erdrich has written fiction, nonfiction, poetry and children’s books. Her work has earned multiple awards, including the National Book Award (“The Round House”) and the Pulitzer Prize (“The Night Watchman” ...  Show more

In this episode, I had the pleasure of speaking to Peggy Wang about her new book, The Future History of Contemporary Chinese Art (Minnesota University Press, 2021). In the book, Wang asks readers to reconsider the term “global” and “world” in relation to the (often simplistically ...  Show more

Re-Orienting China: Travel Writing and Cross-Cultural Understanding (U Regina Press, 2016) challenges the notion of the travel writer as imperialistic, while exploring the binary opposition of self/other. Featuring analyses of rarely studied writers on post-1949 China, including ...  Show more

As China strove for a larger role on the international stage at the turn of the century, the arrival of the internet and a relatively relaxed political environment spurred a boom in self-expression. Many writers tested the boundaries of Chinese literary culture, experimenting ...

In this episode, Jacke talks to Jeremy Tiang about his new translation of The Wedding Party, a Chinese classic contemporary novel written in the early 1980s by Liu Xinwu, one of the originators of what has been termed "scar literature." PLUS we feature a sneak preview of our conv ...  Show more