Opera(argh), Modernism

In the final episode of the series, Sue Perkins and Tom Service field more of the questions you've sent in about music. They also wrap up some of the issues that have provoked the most discussion amongst listeners, including more debate on the future of contemporary music. Join t ...  Show more

Sue and Tom welcome music psychologist Adam Ockelford to the studio to tackle your questions about music and the brain - and discuss whether all humans are innately hardwired to appreciate music. 

In our final look at Back to the Future, we discuss how themes are used, and how often. Secondary themes are examined, taking a close listen to how they're all related. We discuss the relationships between characters, and how music functions as a storytelling device. We even talk ...  Show more

This week Joanna and Stephen dive into the inbox to tackle your questions, like: What music makes them cry? Is modern classical too ‘clever’? And what does the maestro hear when he listens to music? Got a question for Joanna and Stephen? Drop them a line hello@joannaandthemaestro ...  Show more

Taking viewer and listener questions on hot topics in pop music. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts ...  Show more

When BBC America reached out to do a piece about the music of Killing Eve, we jumped at the opportunity. The series antagonist, Villanelle, is an unpredictable assassin. On a dime she shifts from cold and calculating to child-like and jocular. Her personality swings are accompani ...  Show more