Benjamin Zander on Beethoven's Ninth Symphony

This month's Gramophone Podcast sees Editor Martin Cullingford joined by William Vann, Director of the Chapel Choir of the Royal Hospital Chelsea, to talk about his new album of choral music by Elgar: Light out of Darkness, released on Somm Recordings. The wonderfully-chosen sele ...  Show more

The soprano Marina Rebeka and her husband, the sound engineer Edgardo Vertanessian, founded their record label, Prima Classic in 2018, and in the years since have built up an impressive catalogue. To coincide with the release of their latest project, Verdi's Simon Boccanegra, rec ...  Show more

Synopsis On today’s date in 1910, Gustav Mahler conducted the New York Philharmonic in a concert billed as “the first of a series arranged in chronological sequence, comprising the most famous composers from the period of Bach to the present day.” Mahler’s program included works ...  Show more

Synopsis For later Romantic composers like Richard Wagner, Beethoven’s Symphony No. 7 was “the apotheosis of the dance,” and certainly sitting still during the Symphony’s dizzying finale is not always easy. But for those in the audience at its premiere in 1813, as part of a benef ...  Show more

Synopsis It might seem odd that during his long career, Hungarian composer Zoltán Kodály wrote only nine works for orchestra. When someone asked him about this, he replied, “I was busy with more important work: I had to educate a public.” Kodály and his countryman Béla Bartók wer ...  Show more

Synopsis The Grove Dictionary of Music defines “aleatory” as follows: “music whose composition and/or performance is, to a greater or lesser extent, undetermined by the composer.” But isn’t music supposed to be organized, planned, determined sound? Isn’t “aleatoric music” a contr ...  Show more