François-Xavier Roth on Debussy's Pelléas et ...

In this week's episode of the Gramophone podcast, the composer Colin Matthews joins Editor Martin Cullingford to talk about his new album of works for voice and ensemble, Sea Scapes, release on the Onyx label. They discuss the challenge of setting poetry, as well as the joy of wo ...  Show more

In this week's Gramophone Podcast, Hugo Ticciati talks to Editor Martin Cullingford about the fascinating new album from his ensemble O/Modernt, released on the Signum label. Called Milestones, it marks 500 years since the death of Josquin, 50 since the death of Stravinsky, and 3 ...  Show more

In a pre-performance lecture from our archives, stage director Jay Lesenger explores "Le nozze di Figaro," and the connections between Pierre Beaumarchais (who wrote the play on which the opera is based), Lorenzo Da Ponte (who wrote the libretto for the opera), and Mozart (who br ...  Show more

Venezuelan pianist Gabriela Montero chooses the Schumann Fantasie performed by Clifford Curzon and Quintet Opus 18 by Mieczyslaw Weinberg, performed by the Borodin Quartet

Verdi’s final opera, Falstaff, is based on Shakespeare’s Merry Wives of Windsor and Henry IV, Part 1, but it did not become a huge success until Arturo Toscanini insisted on reviving it at La Scala, and later The Metropolitan Opera, in the 1890s. On today's episode of The Metropo ...  Show more

Series exploring famous pieces of music and their emotional appeal.Dido's Lament is a popular name for a famous aria, 'When I am laid in earth', from the opera Dido and Aeneas by Henry Purcell, with the libretto by Nahum Tate. Mezzo soprano Sarah Connolly talks about why she find ...  Show more