François-Xavier Roth on Debussy's Pelléas et ...

Kevin Puts' newest song cycle sets Emily Dickinson's poetry for mezzo and three instrumentalists. Hattie Butterworth speaks to Joyce DiDonato and ensemble Time for Three about this unique collaboration and recording, 'Emily: No Prisoner Be' 

The soprano Adriana González has just released a new Audax album, 'Rondos for Adriana', inspired by her namesake, the Italian 18th-century diva Adriana Ferrarese del Bene. Ferrarese was Mozart's first Fiordiligi (Così fan tutte) and she sang Susanna in the Viennese revival of Le ...  Show more

In a pre-performance lecture from our archives, stage director Jay Lesenger explores "Le nozze di Figaro," and the connections between Pierre Beaumarchais (who wrote the play on which the opera is based), Lorenzo Da Ponte (who wrote the libretto for the opera), and Mozart (who br ...  Show more

Venezuelan pianist Gabriela Montero chooses the Schumann Fantasie performed by Clifford Curzon and Quintet Opus 18 by Mieczyslaw Weinberg, performed by the Borodin Quartet

Verdi’s final opera, Falstaff, is based on Shakespeare’s Merry Wives of Windsor and Henry IV, Part 1, but it did not become a huge success until Arturo Toscanini insisted on reviving it at La Scala, and later The Metropolitan Opera, in the 1890s. On today's episode of The Metropo ...  Show more

Brandi Carlile has become one of Joni Mitchell's greatest interpreters. NPR Music's Ann Powers talks with the singer-songwriter about her life with Blue, conversations with James Taylor and the gift Joni gave her.