16.11: What is Poetry?

How close is your reader to the story? Should they be closer? Today, our hosts get nerdy about narrative distance: the space between reader, narrator, character, and world. We talk POV, sensory detail, and familiarity—and how each can zoom a reader in or pull them back. From The ...  Show more

A story doesn’t always need the same tools from beginning to end. In this episode, we talk about recognizing when it’s time to shift gears—and how to make those changes feel intentional rather than abrupt. Our hosts look at transitions between action, dialogue, and tone, while ex ...  Show more

It’s our first ever Prancing Pony Podcast Q&A episode! Alan and Shawn answer live questions from our very special guests, ranging from the fun to the philosophical. Topics include our favorite villains, the surprising similarities between goblins and dwarves, and the importance o ...  Show more

Roses are red, violets are blue, has poetry ever been intimidating for you? For many people, this art form can feel unapproachable, but poet and educator Sarah Kay, suggests that people who don’t like poetry just maybe haven’t found a poem that really speaks to them. Sarah propos ...  Show more

The creative process, deconstructed. This episode we take you behind the scenes to capture raw human talent: the intimate brainstorming, trials, and experimentation of 3 musicians and a poet preparing for a spoken word performance. What's more, is this is the first time the group ...  Show more

This week, poet Camille Ralphs explains why she submitted to WH Auden's exacting syllabus; and Toby Lichtig joins us to preview the autumn's notable fiction.'Daydream College for Bards', by Camille Ralphs'The Fraud', by Zadie Smith'North Woods', by Daniel Mason'The Variations', b ...  Show more