How to Direct, Produce, Write, Star and Distr...

Noyer on filmmaking, Tax Incentives, Folk Horror, and Directing Love is the Monster What do you do when your folk horror film is deeply rooted in Finnish mythology, but the financing dictates you have to shoot it in Canada? You adapt, you pivot, and you get your movie made. This ...  Show more

How do you protect the human craft of storytelling while navigating a global independent market that is rapidly contracting? This week, Giles Alderson and Phil Hawkins sit down for an incredibly candid, wide-ranging masterclass with Jonathan Yunger—President of Millennium Media a ...  Show more

In this episode of Indie Film Weekly, No Film School co-hosts Liz Nord, Jon Fusco, and Charles Haine wonder if the massive decline predicted for summer box office returns is a hidden boon for indie filmmakers. We also discuss the new rules that might affect every freelancer, new ...  Show more

Some exciting news — The Take is now on Patreon: www.patreon.com/kermodeandmayo. Become a Vanguardista or an Ultra Vanguardista to get video episodes of Take Two every week, plus member‑only chat rooms, polls and submissions to influence the show, behind‑the‑scenes photos and vid ...  Show more

“If we win, on our budget, with this team... we'll have changed the game. And that's what I want. I want it to mean something.”Talking About Moneyball with our guest, filmmaker Mark PellingtonAndy and Pete welcome acclaimed filmmaker Mark Pellington to discuss his remarkable care ...  Show more

Vanguardistas have more fun—so if you don’t already subscribe to the podcast, join the Vanguard today via Apple Podcasts or extratakes.com for non-fruit-related devices. In return you’ll get a whole extra Take 2 alongside Take 1 every week, with bonus reviews, more viewing recomm ...  Show more