Mortal Pretensions in John Donne’s “Death Be ...

A coffin like a little frosted cake, a lily of the valley for the dead boy’s hand, an invitation to serve as a page at court: the second half of “First Death in Nova Scotia” keeps borrowing the imagery of a royal wedding. Why does Jack Frost paint Arthur’s hair red instead of dra ...  Afficher plus

In the cold, cold parlor of Elizabeth Bishop’s “First Death in Nova Scotia,” a child is lifted up to say goodbye to her little cousin Arthur, laid out beneath chromographs of the British royal family and beside a loon shot and stuffed by Arthur’s own father. The title is a small ...  Afficher plus

Melvyn Bragg and guests discuss Donne (1573-1631), known now as one of England’s finest poets of love and notable in his own time as an astonishing preacher. He was born a Catholic in a Protestant country and, when he married Anne More without her father's knowledge, Donne lost h ...  Afficher plus

John Donne, A Valediction: Forbidding Mourning. John Donne came of age in a high culture whose notions of love were shaped by writers like Philip Sidney. Donne’s own love poetry, though, was very different. Scandalously frank, experimental, intellectually complex, Donne disdains ...  Afficher plus

To celebrate Melvyn Bragg’s 27 years presenting In Our Time, some well-known fans of the programme have chosen their favourite episodes. Historian and broadcaster Simon Schama has selected the episode on Shakespeare’s Sonnets and recorded an introduction to it. (This introduction ...  Afficher plus

Early modern poets - John Milton, Edmund Spenser, Aemilia Lanyer, Abraham Cowley - lived in a world where theological questions were as hotly contested as political struggles over issues like empire, gender, civil war, and poetic authority. In this episode, Jacke talks to Deni K ...  Afficher plus