The Sunday Read: ‘Spirited Away to Miyazaki L...

As Iran has tightened its chokehold on one of the world’s most vital shipping routes and the Trump administration sent mixed signals about how long the war would last, oil prices have swing wildly. Rebecca F. Elliot, who covers energy for The New York Times, explains just how muc ...  Show more

What began as a relentless U.S.-Israeli military assault on Iran has turned into a wider crisis as the disruption of the world’s oil markets spreads beyond the Middle East. Eric Schmitt, a national security correspondent for The New York Times, discusses what we know about the pl ...  Show more

The international premiere of Studio Ghibli’s latest film took place last night, after breaking box office records in Japan in July. The Boy and the Heron is the final film from one of cinema’s most influential animators, the reclusive genius Hayao Miyazaki. But does ...

Margaret Talbot, writing in The New Yorker in 2005, recounted that when animators at Pixar got stuck on a project they’d file into a screening room to watch a film by Hayao Miyazak ...

Howl’s Moving Castle is one Hayao Miyazaki’s most magical films and is beloved by many. Listen to hear us break down everything from this film in our latest installment of the Ghibli Rewatch podcast series, going through every Studio Ghibli […] 

In August 1986 the first Studio Ghibli film hit the cinema screens. It would go on to bring Japanese animation to a world audience. Hirokatsu Kihara was a young animator who joined the studio to work on 'Castle in the Sky' its first feature length film. He has been speaking to As ...  Show more