Jessica Brantley, "Medieval English Manuscrip...

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized perform ...  Show more

Worlds of Wartime: The First World War and the Reconstruction of Modern Politics (Oxford University Press, 2025) by Duncan Kelly is a new intellectual history of the many and varied ideas about politics and economics that were made, and remade, through wartime and revolution, by ...  Show more

Michael Johnston's The Middle English Book: Scribes and Readers, 1350-1500 (Oxford UP, 2023) addresses a series of questions about the copying and circulation of literature in late medieval England: How do we make sense of the variety of manuscripts surviving from this period? Wh ...  Show more

Michael Johnston's The Middle English Book: Scribes and Readers, 1350-1500 (Oxford UP, 2023) addresses a series of questions about the copying and circulation of literature in late medieval England: How do we make sense of the variety of manuscripts surviving from this period? Wh ...  Show more

Critics have long viewed translating Arabic literature into English as an ethically fraught process of mediating between two wholly incommensurable languages, cultures, and literary traditions. Today, Arabic literature is no longer “embargoed” from Anglophone cultural spaces, as ...  Show more

An infinite number of things happen; we bring structure and meaning to the world by making art and telling stories about it. Every work of literature created by human beings comes out of an historical and cultural context, and drawing connections between art and its context ca ...