Tarantino's Last Movie, plus, Surviving Freelance, Anchoring Scripts, and Ronin 4D Flex

Tarantino's Last Movie, plus, Surviving Freel...

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The Creative Friction Advantage in Editing 'Primetime'

How do you edit a narrative feature like a documentary while managing 14 camera formats, improvised performances, and hundreds of hours of footage? In this episode, No Film School's GG Hawkins talks with Independent Spirit Award-winning editor Daniel Garber, ACE, about cutting A2 ...  Show more

How to Cut a Fable: Editing 'Wicker'

How do you edit a film that blends fantasy, comedy, romance, and the structure of a fable? Editor Sofi Marshall returns to the No Film School Podcast to discuss her work on Wicker, starring Olivia Colman and Alexander Skarsgård and directed by Alex Huston Fischer and Eleanor Wils ...  Show more

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