'The Goldfinch' - Roger Deakins

Oscar-winning costume designer Deborah L. Scott closes out THR’s special edition of Behind the Screen with a fascinating look at the unprecedented artistry behind the costumes in Avatar: Fire and Ash. Each design was essentially created twice: first as a real-life, tangible garme ...  Show more

Assembling the narrative elements of ‘Avatar: Fire and Ash’ required an unprecedented synergy between director/editor James Cameron and his editorial team. In episode four of THR’s special edition of ‘Behind the Screen’, editors Stephen Rivkin and Jason Gaudio detail their innova ...  Show more

SEASON 2 - EPISODE 65 - REED MORANO - DIRECTOR / CINEMATOGRAPHER

On this episode of the Team Deakins Podcast, director and cinematographer Reed Morano (THE HANDMAID'S TALE, I THINK WE'RE ALONE NOW, MEADOWLAND) speaks with us in a career-spanning conversation. We learn h ...

SEASON 2 - EPISODE 41 - JOHN DE BORMAN - CINEMATOGRAPHER Team Deakins is happy to share our conversation with cinematographer John de Borman (AN EDUCATION, THE FULL MONTY, THE MIGHTY) on this episode of the podcast. We discuss working with different types of directors and battlin ...  Show more

Cinematographer Aaaron McLisky is thrilled that Talk to Me, a small Australian independent horror film, has found such a huge audience. It has become A24's highest grossing horror movie in North America. The movie is about a group of friends who discover how to become possessed b ...  Show more

In TÁR, Cate Blanchett plays Lydia Tár, a fictional world famous female conductor and composer whose life takes a dramatic downturn after serious allegations are made against her. Cinematographer Florian Hoffmeister and director Todd Field made a conscious choice to “not put a ha ...  Show more