Maria Taroutina, "The Icon and the Square: Ru...

Starting in the 1880s, Black performers, and those invested in telling stories centering Black people, attempted to counter the dehumanizing and harmful stereotypes used to portray Black characters. Shows began touting “All Colored Revues” to indicate that a cast was made up of a ...  Show more

In this episode Pat speaks with Dr Guillermo Badia. Dr Guillermo Badia is a philosopher working in logic. His research interests are logic in computer science, semiring-based logics and models of computation, and modal, intuitionistic and other non-classical logics. They discuss ...  Show more

In The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival (Penn State University Press, 2018), Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the r ...  Show more

Suprematist art appears simple and non-controversial at first glance, but these geometric paintings by Kazimir Malevich, Olga Rozanova, and El Lissitzky were revolutionary. Listen as Klaire Lockheart examines Russian avant-garde artwork and art forgeries. Artists and Artwork: Mar ...  Show more

The History of Modern Art with Klaire is a new podcast where artist and educator Klaire Lockheart will explore Modernism through a 21st century intersectional feminist lens. Over the course of this series, Klaire will cover Orientalism, Postimpressionism, Modernism, F ...

Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West.  A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers.  A year after Stalin’s death, author ...  Show more