Maria Taroutina, "The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival" (Penn State UP, 2018)

Maria Taroutina, "The Icon and the Square: Ru...

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Reginald Jackson, “Textures of Mourning: Calligraphy, Mortality, and The Tale of Genji Scrolls” (U Michigan Press, 2018)

Reginald Jackson’s inspiring new book takes a transdisciplinary approach to rethinking how we read, how we pay attention, and why that matters deeply in shaping how we understand the past, live in the present, and imagine possible futures. Textures of Mourning: Calligraphy, Morta ...  Show more

Margaret S. Graves, "Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics" (Princeton UP, 2026)

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) t ...  Show more

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Maria Taroutina, "The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival" (Penn State UP, 2018)
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In The Icon and the Square: Russian Modernism and the Russo-Byzantine Revival (Penn State University Press, 2018), Maria Taroutina examines how the traditional interests of institutions such as the crown, the church, and the Imperial Academy of Arts temporarily aligned with the r ...  Show more

07 Suprematism: Not All Modern Art was Made in Paris
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Suprematist art appears simple and non-controversial at first glance, but these geometric paintings by Kazimir Malevich, Olga Rozanova, and El Lissitzky were revolutionary. Listen as Klaire Lockheart examines Russian avant-garde artwork and art forgeries. Artists and Artwork: Mar ...  Show more

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The History of Modern Art with Klaire is a new podcast where artist and educator Klaire Lockheart will explore Modernism through a 21st century intersectional feminist lens. Over the course of this series, Klaire will cover Orientalism, Postimpressionism, Modernism, F ...

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Eleonor Gilburd, "To See Paris and Die: The Soviet Lives of Western Culture" (Harvard UP, 2018)
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Josef Stalin’s death in 1953 marked a noticeable shift in Soviet attitudes towards the West.  A nation weary of war and terror welcomed with relief the new regime of Nikita Khrushchev and its focus on peaceful cooperation with foreign powers.  A year after Stalin’s death, author ...  Show more