Jane D. Hatter, "Composing Community in Late ...

Reginald Jackson’s inspiring new book takes a transdisciplinary approach to rethinking how we read, how we pay attention, and why that matters deeply in shaping how we understand the past, live in the present, and imagine possible futures. Textures of Mourning: Calligraphy, Morta ...  Afficher plus

In the heyday of Islamic art collecting around the turn of the twentieth century, thousands of premodern ceramic objects circulated on the international antiquities market. Invisible Hands: Fabrication, Forgery, and the Art of Islamic Ceramics (Princeton University Press, 2026) t ...  Afficher plus

There are a handful of pieces from the Medieval and Renaissance periods that most music students learn about in their introductory history courses; among them are Guillaume Du Fay’s, Ave regina celorum III and Johannes Ockeghem’s Missa Prolationum. Some of these foundational comp ...  Afficher plus

Christienna Fryar speaks to the researchers uncovering classical music that has been left out of the canon – discovering the stories of three composers whose voices and stories have been marginalised and obscured over time, despite their profound influence on music: the 18th-cent ...  Afficher plus

Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provide ...  Afficher plus

In this session, we explore what Playford’s publishing activities can tell us about how music was incorporated into different social environments in seventeenth-century English society and the role music played in peoples lives. Although The Dancing Master was one of John Playfor ...  Afficher plus