Jane D. Hatter, "Composing Community in Late ...

Flowering currant, ivy, Portuguese laurel, and woad might all have grown in a medieval garden, but it would have taken special expertise to extract and create rich blue and purple pigments from them. Humans have been extracting dyes and inks from natural materials for millennia, ...  Show more

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material a ...  Show more

There are a handful of pieces from the Medieval and Renaissance periods that most music students learn about in their introductory history courses; among them are Guillaume Du Fay’s, Ave regina celorum III and Johannes Ockeghem’s Missa Prolationum. Some of these foundational comp ...  Show more

Christienna Fryar speaks to the researchers uncovering classical music that has been left out of the canon – discovering the stories of three composers whose voices and stories have been marginalised and obscured over time, despite their profound influence on music: the 18th-cent ...  Show more

Race and Gender in the Western Music History Survey: A Teacher’s Guide provides concrete information and approaches that will help instructors include women and people of color in the typical music history survey course and the foundational music theory classes. This book provide ...  Show more

In this session, we explore what Playford’s publishing activities can tell us about how music was incorporated into different social environments in seventeenth-century English society and the role music played in peoples lives. Although The Dancing Master was one of John Playfor ...  Show more