Mark H. Harris, film critic and author of The...

Slow Horses DP Eben Bolter on shooting season six using imperfect light, a location lit with green LED tape, choosing gray screen over green, and a dark, wet London look. Podcast highlights include: -How imperfection makes light feel real. Eben sets the scene and lets actors move ...  Show more

Cinematographer Stuart Dryburgh explains how natural light, practical sources and an invisible camera shaped Netflix’s East of Eden, shot in New Zealand with director Garth Davis. This episode is a look at how restraint, natural light and trust in the writing shape a period drama ...  Show more

In honor of Halloween season, host Roy Wood Jr. takes us back to his discussion on the roles Black actors are typecast into in horror movies and how Black filmmakers work to expand these roles beyond their stereotypes. He sits with Daily Show writer Ashton Womack, filmmaker and e ...  Show more

The Scream franchise returns to theaters this weekend. Since it first debuted in 1996, the racial dynamics of horror films have evolved. And for the first time in generations of scary movies, African American characters are surviving, killing the monsters, or even slaying as horr ...  Show more

What is the movie genre known as Black horror and how has the Black experience been portrayed over time in these films? Daily Show writer Ashton Womack, filmmaker and executive producer of Shudder’s "Horror Noire" documentary, Tananarive Due, author and screenwriter Steven Barnes ...  Show more