Mark H. Harris, film critic and author of The...

DP Eben Bolter, ASC, BSC breaks down the watery, noir lighting, anamorphic lenses, and practical tricks behind Apple TV's Cape Fear. Podcast highlights include: -How Eben built Cape Fear's look around the theatrical expressionism of the 1991 Scorsese film. He used the same 2.35 a ...  Show more

Cinematographer Lyle Vincent on shooting the Netflix series The Beast in Me with Panavision lenses and hard lighting that allow deep shadows to fall into black. Vincent's work is a continuation of his collaboration with director Antonio Campos after the HBO Max drama, The Stairca ...  Show more

In honor of Halloween season, host Roy Wood Jr. takes us back to his discussion on the roles Black actors are typecast into in horror movies and how Black filmmakers work to expand these roles beyond their stereotypes. He sits with Daily Show writer Ashton Womack, filmmaker and e ...  Show more

The Scream franchise returns to theaters this weekend. Since it first debuted in 1996, the racial dynamics of horror films have evolved. And for the first time in generations of scary movies, African American characters are surviving, killing the monsters, or even slaying as horr ...  Show more

What is the movie genre known as Black horror and how has the Black experience been portrayed over time in these films? Daily Show writer Ashton Womack, filmmaker and executive producer of Shudder’s "Horror Noire" documentary, Tananarive Due, author and screenwriter Steven Barnes ...  Show more

The '10s are nearly over, and horror has been one of the decade's most dominant genres. Chris Ryan teams up with Sean to break down the very best the genre has had to offer and where it's going in the coming decades (2:08). Then, Sean is joined by screenwriters Scott Alexander an ...  Show more