Mark Kermode: Scores, Cinema and The Sound of...

This week Joanna and Stephen dive into the inbox to tackle your questions, like: What music makes them cry? Is modern classical too ‘clever’? And what does the maestro hear when he listens to music? Got a question for Joanna and Stephen? Drop them a line hello@joannaandthemaestro ...  Show more

Have you ever wondered how musical styles become synonymous with certain countries, regions and places? What is it about the Italian school that defines it from, say, the Nordic or the French school? In this episode Joanna and Stephen take a whistle stop tour through 2 centuries ...  Show more

Our latest guest on Soundtracking is a composer we've been trying to pin down since day one of the podcast, back in 2016.Alexandre Desplat is a true giant of the film scoring business, having been nominated for numerous Oscars and winning one for his work on Wes Anderson's Grand ...  Show more

Rocketman is a spectacle the size of Elton John, four films in one. It contains a biopic, jukebox musical, addiction recovery story and a romance between friends. The soundtrack ties the story together by taking historical liberties to tell a fantastical story about one of the be ...  Show more

A huge episode of Music Life this week sees one of the most versatile composers working today, Max Richter (Peaky Blinders, Black Mirror, Ad Astra, Mary Queen of Scots), ask renowned creators of music for film, TV and the stage how they got their starts in the music business, the ...  Show more

One of our favourite films of the year has undoubtedly been Joker. We've already spoken to composer Hildur Guðnadóttir about her score for the movie, and now it's an utter delight to welcome director Todd Phillips back to Soundtracking for a second sitting. There was much to disc ...  Show more