Kath Raisch: From Darkroom to Digital with Co...

Doug Emmett made Lucky in Los Angeles through the spring of 2025, took three weeks off, and went straight to New York to prep Furious with Brian Kirk, who directed the first two episodes. He got the job after an interview at 4:45 in the morning from a trailer in the desert, where ...  Show more

The Death of Robin Hood is Pat Scola's third film with Michael Sarnoski, made an hour outside Belfast on a production budget of around eleven million, somewhere between the scrappiness of Pig and the scale of A Quiet Place: Day One. Sarnoski wanted grit, and Scola is precise abou ...  Show more

A common mistake among indie filmmakers is not properly deploying the skill set and time of a colorist. In this podcast three professional colorists all with multiple films at Sundance 2020 shed light that clears up the common misunderstandings of color and finishing. Whether y ...  Show more

SEASON 2 - EPISODE 117 - Rachel Clark - Cinematographer

Cinematographer Rachel Clark (EDGE OF SUMMER, QUEENIE, I AM RUTH) joins us on this episode of the Team Deakins Podcast. Hailing from northeast England, Rachel, far-removed from the film industry, nonetheless found ...

SEASON 2 - EPISODE 32 - KATE MCCULLOUGH - CINEMATOGRAPHER Team Deakins is pleased to share our conversation with the talented cinematographer Kate McCullough (THE QUIET GIRL, NORMAL PEOPLE, MONSTER). We talk with Kate about how she applies the skills she developed while shooting ...  Show more

In episode 22 of Production Brief we speak to colourist and host of The Colour Couch podcast, Vincent Taylor on the art and science of colour grading for advertising.From etiquette in the grading suite to staying ahead of the technology curve, Vincent chats through his journey fr ...  Show more