Spectre (2015) and When Saturday Comes (1996)

The idea wasn't a bad one. With the cost of X-Men movies spiralling, 20th Century Fox was interested in a lower cost, slightly more niche film in the saga. One that could perhaps appeal to a teen audience, that wouldn't put quite the strain on the old finances. Josh Boone - off t ...  Show more

Alicia MacDonald first feature film as director, Finding Emily, turns out to be a Working Title-backed romantic comedy, the kind that used to fill British cinema charts. Albeit with a twist! In this Film Stories special, she talks to Simon Brew about launching her first feature, ...  Show more

James Bond is back! After a nearly two-year delay, ‘No Time to Die’ finally arrives in theaters around the world. To celebrate, Sean and Amanda are joined by Chris Ryan to talk about the new film, Daniel Craig’s legacy as 007, and their top five favorite Bond films (47:00). Then, ...  Show more

Our month of 3s comes to a close with David Fincher's Alien 3 (1992), which may take the prize for most convoluted production history. Here to help us make sense of the Assembly Cut (not the theatrical cut) is returning guest Sade Sellers (see previou ...

The world is changing and truth is vanishing in our very special episode today, accomplishing a mission we’ve been hoping to make happen since the very inception of the show. Yes, this week’s guest is a true maestro of modern blockbuster filmmaking – a writer-director who won a B ...  Show more

In this episode of Indie Film Weekly, No Film School co-hosts Liz Nord, Jon Fusco, and Emily Buder discuss how the death of America’s Section 181 filmmaking tax incentive will affect indie filmmakers. We also talk about the NoBudge Film Awards and say a sad goodbye to Carrie Fish ...  Show more