How “The Bear” Editor Harnesses Chaos Across ...

Writer-director-actor Leah McKendrick joins GG Hawkins to break down the long road to getting Voicemails for Isabelle made after years in development. McKendrick traces her unconventional path from aspiring pop singer to independent filmmaker, studio screenwriter, and director, e ...  Show more

Writer-director Sabrina Greco joins No Film School to discuss the making of her feature debut, Lockjaw, a dark comedy centered on a woman whose jaw is wired shut after a car accident. Greco explains how the project grew from a short into a feature, why she committed to an 11-day ...  Show more

This week we sat down with wonderful editor Colin Goudie who regales us with his wonderful stories about editing the incredible Gareth Edwards film Monsters and Star Wars: Rogue One.   How both films differed in budget but yet were the same in terms of emotion and making sure the ...  Show more

This week we are joined by accomplished producer Carolina Groppa, who is most known for Autism in Love, Miss Virginia, and The Female Brain. Carolina shares what it’s like working as a freelance producer, and lists the kind of qualities a director sh ...

Part 2 of our chat with ace editor Colin Goudie who regales us with his wonderful stories about editing the incredible Gareth Edwards film Monsters and Star Wars: Rogue One. Colin talks Rogue One and the excellent story of how he got the job: PLUS:- Doing a mood reel out of class ...  Show more

In this week's episode, Matt & Oren talk with Nikki Weiss about representing filmmakers!

Matt's Endorsement: Letterboxd on Instagram

Oren's Endorsement: Handbreak App

Nikki's Endorsement: Natasha Swingler

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