Nielsen Symphony No. 4, "Inextinguishable"

When the great pianist and composer Frederic Chopin decided to write a piano sonata in 1837, fashions had turned against the genre itself. Perhaps it was a feeling that Beethoven had essentially "finished" the genre, or perhaps it was a sense that a non-Germanic composer couldn't ...  Show more

As I've often said, I love doing Patreon-sponsored episodes in part because they allow me to discover music I might never have encountered otherwise. Today's episode is one of those, because the truth is that before I made it, I had heard of Finzi, but that was about it. I knew n ...  Show more

In the first movement of his famous symphony, Beethoven sets up a battle between hope and despair. The dark side of that spectrum is represented by the anguished opening notes of the first movement: DUN DUN DUNNN. Over the course of the next three movements, Beethoven keeps tryin ...  Show more

When we listen closely to the Fifth, we hear a testament to self-expression and determination. Which means that we get to decide how to honor this symphony today, whether that means taking a break from Beethoven to commission new works from underrepresented composers, bringing ne ...  Show more

Ludwig van Beethoven's Seventh Symphony pulses with rhythmic invention. The reliance on the beat gives the piece an immediacy that rivals the music in any of Beethoven's symphonies. 

Terry Riley's "In C" is one of the most influential pieces of music of the last century...but you'll never hear it the same way twice. Guest: Evan Ziporyn, composer, clarinetist, and producer of "In C" For show transcripts, go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠vox.com/unxtranscripts⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Fo ...  Show more