Andrew Roberts of ILM: The Art and Science Be...

Giorgio Scali, ASC had worked with Debora Cahn and Alex Graves on Homeland, and when The Diplomat moved to New York for its third season they called him. He is credited on four episodes of that season. Three are shared with Julian Court, who shot the England scenes, and Scali lit ...  Show more

Xavier Dolléans, AFC spent five to six months in Cairo photographing High Value Target: The Hunt for Saddam, the TNT limited series directed by Leslie Greif, with a local crew he met on arrival. He calls himself "a big anamorphic guy," but chose ARRI Signature Primes here. "We wa ...  Show more

SEASON 2 - EPISODE 109 - KEVIN BAILLIE - VFX SUPERVISOR

On this episode of the Team Deakins Podcast, we speak with visual effects supervisor Kevin Baillie (HERE, PINOCCHIO, FLIGHT) in an engaging conversation about the evolving use of VFX in film. We learn what types of ...

Jedi master of visual effects Rob Bredow, known for his work at Industrial Light & Magic and Lucasfilm, takes us on a cinematic journey through the evolution of visual effects, with behind-the-scenes stories from the making of fan favorites like “Jurassic Park,” “Star Wars,” “Ind ...  Show more

SEASON 2 - EPISODE 140 - Jon Alexander - Compositing Supervisor In this episode of the Team Deakins Podcast, we speak with compositing supervisor and visual effects artist Jon Alexander (DEADPOOL & WOLVERINE, AVENGERS: AGE OF ULTRON, THE PHANTOM MENACE). Jon was witness to a numb ...  Show more