Lucy Swanson, "The Zombie in Contemporary Fre...

Alaina Morgan's Atlantic Crescent: Building Geographies of Black and Muslim Liberation in the African Diaspora (UNC Press, 2025) introduces the conceptual framework of the “Atlantic Crescent” to capture the overlapping encounters between Black, Afro-Caribbean, and South Asian Mus ...  Show more

In Transoceanic Blackface: Empire, Race, Performance (Northwestern UP, 2024) Dr. Kellen Hoxworth presents a sweeping history of racialized performance across the Anglophone imperial world from the eighteenth to the early twentieth century. A material history of racialized perform ...  Show more

Let’s talk about zombies! Scholars Patricia Saldarriaga and Emy Manini have produced an engaging and important analysis of the idea of zombies, and how and why these particular monsters are omnipresent in American popular culture, especially these days. Zombies both represent and ...  Show more

Their ubiquity in pop culture suggests zombies are a recent creation, but the ideas animating these cannibalistic cadavers originated in a 16th century French colony. Enslaved Africans conceived of a soul in unrest, occupying the ether. In Western culture, zombies transformed int ...  Show more

What is a zombie? You might be thinking of the flesh-eating, undead monsters common in Hollywood, but the origin of zombies is much more fascinating than the stories in film and TV. From the brutal slave plantations of Haiti to the development of voodoo legends and traditions, ...  Show more

The second in a three-part series on monsters in philosophy. We trace the cultural history of zombies from voodoo folklore, George Romero films, and the zombies used in philosophical thought experiments. Folklore, film and philosophy seem to converge on the idea that consciousnes ...  Show more