History of Ideas 11: Umberto Eco

Today’s great political fiction is a path-breaking work of science fiction: David explores Ursula Le Guin’s The Dispossessed (1974), which imagines a world without the need for government or coercive authority. What makes this the most realistic of all utopias? How was Le Guin’s ...  Show more

In the second of two episodes about Doris Lessing’s The Golden Notebook, David talks to critic and memoirist Catherine Taylor about the novel’s place in the history of feminism. Is its idea of ‘free women’ meant to be ironic? Why are the things that shocked its original readers n ...  Show more

The castaway in Desert Island Discs this week is the writer Umberto Eco. His best-selling novel The Name of the Rose propelled him from the relative obscurity of his post as Professor of Semiotics at Bologna University to worldwide fame at the age of 50.He'll be talking to Sue La ...  Show more

A good rule of thumb is that whatever Margaret Atwood is worried about now is likely what the rest of us will be worried about a decade from now. The rise of authoritarianism. A backlash against women’s social progress. The seductions and dangers of genetic engineering. Climat ...

At the turn of the 19th century, a small university town in Germany became the beating heart of an intellectual revolution. From philosophers and poets to scientists and playwrights, Jena attracted some of Europe’s brightest minds. Andrea Wulf tells Ellie Cawthorne about how the ...  Show more

“Today’s future-positive writers critique our economies while largely seeming to ignore that anything might be amiss in our private lives,” writes Kristen Ghodsee. Even our most ambitious visions of utopia tend to focus on outcomes that can be achieved through public policy — ...