Political Poems: Andrew Marvell's 'An Horatia...

If Saul Bellow’s Seize the Day (1956) belongs firmly to postwar American realism, then Pnin (1957) certainly doesn’t. With its self-conscious fictionality and unreliable narrator, Nabokov’s novel is a model of postmodernism. Yet for all its playfulness, the book maintains, in its ...  Afficher plus

The restoration of the monarchy in 1660 brought a flurry of changes to London life. Women were allowed to appear on stage for the first time, the Royal Society was founded and the West End, with its squares, parks and fashionable ‘season’, was born. But the social whirl stopped a ...  Afficher plus

In the first episode of their new Close Readings series on political poetry, Seamus Perry and Mark Ford look at ‘An Horatian Ode upon Cromwell’s Return from Ireland’ by Andrew Marvell, described by Frank Kermode as ‘braced against folly by the power and intelligence that make it ...  Afficher plus

Your Hosts: Mary Robinette, Dan, Amal, and Howard This is how we begin our master class on poetry, with Amal El-Mohtar: With not one question, but two. What is poetry? What is prose? Yes, both questions are a trap. Or maybe two traps. But definitely a beginning. Credits: This epi ...  Afficher plus

Your Hosts: Mary Robinette, Dan, Amal, and Howard For the last seven episodes we've explored language, meaning, and their overlap with that thing we mean when we use language to say "poetry." In this episode we step back to some origins, including, at a meta-level, the origins of ...  Afficher plus

We’re excited to share the first episode of our new podcast, Poetry Unbound. It’s your new ritual: Immerse yourself in a single poem, guided by Pádraig Ó Tuama. Short and unhurried; contemplative and energizing. Anchor your week by listening to the everyday poetry of your life, w ...  Afficher plus