David Bordwell’s Reinventing Hollywood

On October 30 of last year, we lost one of cinema’s most daring auteurs: the British director Peter Watkins. Starting out in television in the 1960s, Watkins developed an utterly unique and militantly political mode of filmmaking. In works like Culloden (1964), The War Game (1966 ...  Show more

It’s that time of year again: the Academy Awards are just around the corner. In anticipation of the winners being revealed this Sunday, Devika and Clint teamed up with some colleagues from Tinseltown—the writers and editors of the Los Angeles Review of Books—to scrutinize this ye ...  Show more

When screenwriter Charlie Kaufman started making his epic, heartbreaking directorial debut SYNECDOCHE, NEW YORK, he was the toast of Hollywood. Then it flopped, put a pause on his career, and arguably marked the end of the heady “indiewood” era of the oughties. H ...

This week we sat down with wonderful editor Colin Goudie who regales us with his wonderful stories about editing the incredible Gareth Edwards film Monsters and Star Wars: Rogue One.   How both films differed in budget but yet were the same in terms of emotion and making sure the ...  Show more

On today’s NYFF62 podcast, we welcome director Luca Guadagnino, screenwriter Justin Kuritzkes, costume designer Jonathan Anderson, and cast members Daniel Craig and Drew Starkey to discuss Queer, the Spotlight Gala of the 62nd New York Film Festival, with NYFF Artistic Director D ...  Show more

Paul & Amy are baking the biggest cake in the world for Godzilla and congratulating him for finally winning an Academy Award after seven decades. The two praise the film for balancing “popcorn movie” energy while locking you into an emotional personal story. Paul marvels at the f ...  Show more