Writing the Unfilmable & Managing Your Career...

Writer-director Sabrina Greco joins No Film School to discuss the making of her feature debut, Lockjaw, a dark comedy centered on a woman whose jaw is wired shut after a car accident. Greco explains how the project grew from a short into a feature, why she committed to an 11-day ...  Show more

Writer-director Alex Ullom and producers Carrie Carusone and Evan Barber break down the unconventional path behind It Ends, their micro-budget indie horror feature about four friends trapped on an endless road. They explain how they raised their initial financing, leaned on their ...  Show more

We all hear it: "I've got this great idea for a movie," or, "they should totally make that into a movie," but why do so few people take the next step and actually write the script? Well, today, Pixar alum Meg LeFauve and Lorien McKenna answer that question, getting into all the n ...  Show more

Writers dread the idea of feeling confined by a structure, but what they don't realize, is that structure is one of the greatest gifts that they can be given as a writer. Structure = story, and the best films ever made know how to "play within the rules." Today, we go over those ...  Show more

In this episode of the Filmmaking Stuff podcast, host Tom Malloy explains the often misunderstood process of screenwriting. Dispelling the myth that a screenplay is ready after the first draft, Malloy tells new screenwriters that industry executives demand polished scripts reflec ...  Show more

<span data-preserver-spaces="true">"Personally, I think writing is bleeding. It's blood magic. It's very hard to do," says writer/director Jade Halley Bartlett of the new Southern gothic romance, </span><span data-preserver-spaces= "true">Miller's Girl.</span>

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