Rejection to Producer: How I Broke Free and M...

What does a $5.99 indie film rental actually earn the filmmaker? In this episode, I break down the economics of TVOD and show where the money goes after the streaming platform and distributor take their percentages. We also look at investor recoupment, how a small indie film migh ...  Show more

What makes a film investor say yes to an indie movie? In this episode, I break down the things investors look at when evaluating a film investment, including the screenplay, budget, genre, cast and attachments, artwork, and film business plan. I also explain the “invisible factor ...  Show more

“As Hollywood changes post-strike, the only surefire way in the door is to have something great people are excited to make.” If you are a writer looking to break into the industry, you need to know how to write a great script that producers actually want to read. In today’s epis ...  Show more

On this special episode of the No Film School podcast, host GG Hawkins shares her experience of writing her first feature, 'I Really Love My Husband' on a small budget and arguably, an even smaller timeline. She discusses the constraints she faced, the collaborative writing proce ...  Show more

In order to make your movie, you need money. So how do you get over that uncomfortable feeling of asking people to invest in your project? And once you have the financing, how do you get over the fact that your movie is not going to be appreciated by all audiences? In today’s ep ...  Show more

Making a micro-budget film in a short span of time may feel like an impossible task. What would you say if we told you that these limitations actually make the filmmaking process easier? How is it possible to have more freedom when you are dealing with more restrictions? In toda ...  Show more