Cannes 2024 #1, with Beatrice Loayza and Isab...

Set in Nigeria in 1993, Akinola Davies Jr.’s elliptical, atmospheric My Father’s Shadow is a portrait of a country on the cusp of a political crisis. We experience these events through the eyes of the film’s young protagonists, two boys who spend a day in Lagos with their father. ...  Show more

Across his contributions to Film Comment and other publications, and his programming as the Curatorial Director of the Criterion Collection, Ashley Clark has established himself as one of the smartest, sharpest taste-makers in the film scene in New York and beyond—particularly th ...  Show more

Quebecois actor and director Monia Chokri is a Cannes regular — who in her films, regularly returns to her favorite themes: Very smart women having a very hard time figuring out relationships. Host Rico Gagliano stole a few minutes with her at this year’s Cannes to try and fig ...

The operative word is “enthusiasm” to sum up this week’s guests on “Happy Sad Confused” with Josh Horowitz. This episode welcomes two filmmakers—one just launching a career as a director, the other a legend returning to sci-fi with his biggest film yet. First up, Josh catches up ...  Show more

Welcome to a new episode of the Film at Lincoln Center podcast. This week we’re excited to present two conversations, the first a Programmers Preview with the team behind the New York African Film Festival, currently taking place in our theaters through May 16, followed by a Q&A ...  Show more

Director Simon Curtis discusses his new film, Downton Abbey: A New Era, with fellow director Amy Holden Jones in a Q&A at the DGA theater in Los Angeles. In the conversation, they speak about how Curtis made the film his own after the televsion show and the previous film and how ...  Show more