Medieval LOLs: Dame Syrith

If Saul Bellow’s Seize the Day (1956) belongs firmly to postwar American realism, then Pnin (1957) certainly doesn’t. With its self-conscious fictionality and unreliable narrator, Nabokov’s novel is a model of postmodernism. Yet for all its playfulness, the book maintains, in its ...  Show more

The restoration of the monarchy in 1660 brought a flurry of changes to London life. Women were allowed to appear on stage for the first time, the Royal Society was founded and the West End, with its squares, parks and fashionable ‘season’, was born. But the social whirl stopped a ...  Show more

Were the Middle Ages funny? Irina Dumitrescu and Mary Wellesley begin their series in quest of the medieval sense of humour with Chaucer’s 'Miller’s Tale', a story that is surely still (almost) as funny as when it was written six hundred years ago. But who is the real butt of the ...  Show more

Irina Dumitrescu joins Tom for a Close Readings fusion episode looking at Chaucer’s classical mind, and in particular his use of Ovid’s Heroides in The Legend of Good Women, in which the poet does penance for his poor depictions of women by retelling the stories of Ariadne, Phaed ...  Show more

The Wife of Bath is a stand-out figure in Geoffrey Chaucer’s Canterbury Tales. The only ordinary woman in the procession of pilgrims heading to Thomas Becket’s shrine, Alison is a sexually active, outspoken and funny working woman whose voice leaps from the page. Speaking with Em ...  Show more

*WARNING this episode includes explicit language and adult themes*What were your medieval ancestors getting up to in the bedroom? Join sex historian Kate Lister, Betwixt the Sheets, to find out.Medievalist and George Michael super-fan Dr Eleanor Janega is on the podcast to chat a ...  Show more