Inside Cannes 2024: Film Market Insights and ...

What is an option agreement and how do indie producers legally control a screenplay without buying it upfront? In this episode, Tom breaks down film option agreements, $1 options, term lengths, writer payments, and how rights revert if a movie doesn’t get made. A practical, no-no ...  Show more

Thinking about attending the European Film Market (EFM) in Berlin? In this episode, I break down how EFM compares to Cannes and AFM, why it’s considered the most professional film market, and why filmmakers with finished projects and real credits get the most value from it. If yo ...  Show more

In this episode of Indie Film Weekly, No Film School co-hosts Liz Nord, Jon Fusco, and Emily Buder reveal companies, gear, and filmmakers that are changing the game for indie directors. You’ll learn about a new film incubation model from Pretty Ideas, a new level of financial tra ...  Show more

Do you think the success of a film should be measured on how many markets it reaches and how much money it generates? The average filmmaker needs to remember that they do not have to appeal to everyone in order to be successful.  In this episode, we talk about… MoviePass return ...  Show more

Is Spider-Man No Way Home Oscar worthy? How you can raise money at Sundance or other festivals and what makes the Skydio Drone worth checking out…  In this episode, we talk about… Spider- Man No Way Home’s box office record during the pandemic The disappearance of the Golden ...  Show more

In this episode of Indie Film Weekly, No Film School co-hosts Liz Nord, Jon Fusco, and Erik Luers discuss the opening of the 71st annual Cannes Film Festival and how Netlifx is playing nice—or are they? We also cover the first results of the Academy’s ethics enforcements, and say ...  Show more