Among the Ancients II: Plautus and Terence

When Thomas Platter, a Swiss tourist, went to see ‘Julius Caesar’ at the Globe Theatre in 1599, it wasn’t Shakespeare’s language that attracted his attention but the ready availability of refreshments and the high quality of the players’ clothes. The revolution in playmaking that ...  Show more

In her diary entry for 20 November 1797, Dorothy Wordsworth describes a late afternoon walk with her brother William and Samuel Taylor Coleridge. ‘ We went eight miles in the dark,’ she wrote, ‘William and Coleridge employing themselves in laying the plan of a ballad.’ This was t ...  Show more

It is a truth universally acknowledged that tragedy is one of the world's highest art forms, and that Shakespeare was one of the form's greatest practitioners. But how did he do it? What models did he have to draw upon, and where did he innovate? In this episode, Jacke talks to S ...  Show more

Madness, piety, gore, and reason! Today on Ascend: The Great Books Podcast, host Dcn. Harrison Garlick and the always insightful Dr. Frank Grabowski delve into the first part of Euripides’ The Bacchae—a chilling yet captivating Greek tragedy that explores piety, eros, the nature ...  Show more

I am so excited to say that my guest on the GWA Podcast is the writer, critic, and author, Merve Emre. Currently the Shapiro-Silverberg Professor of Creative Writing and Criticism at Wesleyan University – and the Director of the Shapiro Center for Creative Writing and Criticism – ...  Show more

Today's special guest is Will Tosh, Head of Research at Shakespeare's Globe, London, and the author of a new book, “Straight Acting: The Many Queer Lives of William Shakespeare.” Having answered the obvious question in the prologue, the book becomes a sort of emotional biograp ...