The Rebel's Cinema—Frantz Fanon on Screen #2,...

Set in Nigeria in 1993, Akinola Davies Jr.’s elliptical, atmospheric My Father’s Shadow is a portrait of a country on the cusp of a political crisis. We experience these events through the eyes of the film’s young protagonists, two boys who spend a day in Lagos with their father. ...  Show more

Across his contributions to Film Comment and other publications, and his programming as the Curatorial Director of the Criterion Collection, Ashley Clark has established himself as one of the smartest, sharpest taste-makers in the film scene in New York and beyond—particularly th ...  Show more

This week on the Film at Lincoln Center podcast, we’re sharing an extensive conversation with Mati Diop. The French-Senegalese director earned the Grand Prix at the Cannes Film Festival for her debut film Atlantics, which is now in theatrical release and arrives on Netflix this F ...  Show more

This week on the Film at Lincoln Center podcast, we preview our upcoming Patricia Mazuy retrospective with programmer Madeline Whittle. She discusses the French director's singular filmography, which will be presented starting this Friday with free screening of Travolta and Me fo ...  Show more

When screenwriter Charlie Kaufman started making his epic, heartbreaking directorial debut SYNECDOCHE, NEW YORK, he was the toast of Hollywood. Then it flopped, put a pause on his career, and arguably marked the end of the heady “indiewood” era of the oughties. H ...

This week we sat down with wonderful editor Colin Goudie who regales us with his wonderful stories about editing the incredible Gareth Edwards film Monsters and Star Wars: Rogue One.   How both films differed in budget but yet were the same in terms of emotion and making sure the ...  Show more