Recording and Mixing Acoustic Instruments and...

Dee Kei is building a compressor. Specifically, a 1176 Rev A blueface/silverface clone from Hairball Audio in Seattle — unsponsored, bought with his own money, and not yet finished at time of recording. That last part is intentional. He wanted to talk about the build process befo ...  Show more

This episode almost didn't get released. Dee and Lu spent 20 to 30 minutes before recording debating whether to even touch this one. They went ahead — and it's one of the more honest, nuanced conversations the show has had about money, ego, and what engineers actually owe each ot ...  Show more

Achieving an exceptional sound in your mixes begins with selecting the right microphone for each instrument but how do you really capture the true brilliance of every note in your music. In this episode, Xylo chats with award-winning audio engineer and Shure Incorporated Prod ...

Ever wondered how to get a great mix for your drums? In this episode, award-winning mixing engineer Neenah goes through her process from start to finish and how to overcome certain pitfalls that producers often face.

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In this episode, John links up with Chet Faker aka Nick Murphy, to talk about how he wrote, recorded and produced the album ‘Hotel Surrender’. Diving into the tracks initially found within one of his numerous demo playlists, Nick looks back on his variety of music making processe ...  Show more

Complete Show Notes: https://www.sounddesignlive.com/eq-your-vocal-reverb-return-shawn-dealey/ In this episode of Sound Design Live my guest is producer, engineer, and FOH mixer for artists such as Counting Crows, Goo Goo Dolls, and Avril Lavigne, Shawn Dealey. We discuss finding ...  Show more