Black Cowboys & Rodeo Culture, with Ron Tarve...

Picking up a camera is often the start of a life-changing journey. And when it's combined with a focus on community building, the determination to lead by example, and shrewd entrepreneurial skills—this basic action can have a ripple effect with the potential to change countless ...  Show more

Paul Mobley and Ian Spanier have much in common: from starting their respective careers in New York City before relocating to the West Coast, to their knack for forging a human bond with portrait subjects, to an unrelenting drive to generate ambitious commercial assignments while ...  Show more

New York City might have been the epicenter of the twentieth century American art scene, but Los Angeles was no slouch either, writes Kellie Jones in South of Pico: African American Artists in the 1960s and 1970s(Duke University Press, 2017). Dr. Jones, Professor of Art History a ...  Show more

Photography emerged in the 1840s in the United States, and it became a visual medium that documents the harsh realities of enslavement. Similarly, the photography culture grew during the Civil War, and it became an important material that archived this unprecedented war. Deborah ...  Show more

As a child, Alan Michelson often rode the T past sculptor Cyrus Edward Dallin’s “Appeal to the Great Spirit” (1908) outside the Museum of Fine Arts, Boston (MFA). He was riveted by the statue’s grand horse and the powerful yet melancholy figure wearing a striking Plains Indian wa ...  Show more

Francis O’Neill (1848–1936) was a Chicago police officer and a folk music collector. Michael O’Malley connects these two seemingly unrelated activities in his biography of O’Neill, The Beat Cop: Chicago’s Chief O’Neill and the Creation of Irish Music (University of Chicago Press, ...  Show more