Have Disney musicals lost their edge?

Boys of Dungeon Lane, McCartney's collaboration with producer Andrew Watt, arrived when McCartney was 83 and and he came out swinging: the opening track greets listeners with a dissonant, unresolved guitar chord that sets the album's tone. Harmonic instability runs through the en ...  Show more

A sci-fi ballet imagined a 2080 where AI strips people of purpose, and the day before its New York premiere, an actual dystopia arrived. Arc Iris, the trio of Jocie Adams, Zach Tenorio and Ray Belli, built iTMRW as a concept record set in a future ruled by a mega-corporation that ...  Show more

What happens when you put a straight-up power ballad in the middle of a Disney movie? "Let it Go" happens, that's what. On this episode, Kirk climbs to the top of a snowy peak and summons all his magical powers to figure out why Elsa of Arendelle's self-coronation song rocks a ...

In our first interview, we talk with Disney and Broadway songwriting team Robert Lopez and Kristen Anderson-Lopez, who have penned hit songs for Frozen, Coco, Winnie the Pooh, Finding Nemo, and more for Disney. We discuss their creative process as songwriters, their work-life bal ...  Show more

Elton John and his lyricist Bernie Taupin wrote so many great songs over the years that it was impossible to pick a single one for Strong Songs. So, why not do two? Kirk dives into a pair of classics by the storied songwriting duo, talking about Elton's chameleon-like voice, h ...

Once again, Disney has butchered the original message of one of their cherished classic animated films in yet another live-action remake that no one asked for. This time it’s Lilo & Stitch. Become a Patron: https://www.patreon.com/AmalaEkpunobi Watch or Listen on Spotify: https:/ ...  Show more