How ‘The Substance’ Editor Trimmed the Fat of the Hit Body Horror Flick

How ‘The Substance’ Editor Trimmed the Fat of...

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How Specificity Makes Better Films: ‘Mile End Kicks’ and ‘I Like Movies’ Director Chandler Levack Explains

GG Hawkins talks with writer-director Chandler Levack about making I Like Movies, Mile End Kicks, and Roommates, and how Levack protects a specific filmmaking voice while moving between indie features and studio comedy. They discuss the realities of Canadian film financing, direc ...  Show more

Inside Premiere’s Color Mode: Adobe’s Biggest Color Grading Overhaul in a Decade

No Film School’s Jourdan Aldridge sits down with Adobe’s Jason Druss at NAB 2026 to discuss Adobe Premiere’s new Color Mode, a three-year effort to rethink color grading for video editors. The conversation covers why Adobe rebuilt its color pipeline, how Color Mode differs from L ...  Show more

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