Familiar Touch, with Kathleen Chalfant and Mo...

On October 30 of last year, we lost one of cinema’s most daring auteurs: the British director Peter Watkins. Starting out in television in the 1960s, Watkins developed an utterly unique and militantly political mode of filmmaking. In works like Culloden (1964), The War Game (1966 ...  Show more

It’s that time of year again: the Academy Awards are just around the corner. In anticipation of the winners being revealed this Sunday, Devika and Clint teamed up with some colleagues from Tinseltown—the writers and editors of the Los Angeles Review of Books—to scrutinize this ye ...  Show more

The newly-minted Golden Globe and Critics' Choice winner for best actress in a comedy series reflects on a childhood divided between acting and wrestling, her Emmy-nominated turn on Netflix's 'House of Cards' and landing the role of a lifetime — as a 1950s New York housewife-turn ...  Show more

On today’s NYFF62 podcast, we present the press conference from this year's Centerpiece selection The Room Next Door, featuring director Pedro Almodóvar and cast members Julianne Moore, Tilda Swinton, and John Turturro, moderated by NYFF Artistic Director Dennis Lim. Pedro Almodó ...  Show more

When screenwriter Charlie Kaufman started making his epic, heartbreaking directorial debut SYNECDOCHE, NEW YORK, he was the toast of Hollywood. Then it flopped, put a pause on his career, and arguably marked the end of the heady “indiewood” era of the oughties. H ...

The wonderful actor Guy Pearce joins us this week to talk acting and his new feature film The Brutalist. Already nominated for a BAFTA and an OSCAR for Best Supporting Actor, Giles Alderson sat down with the aforementioned nominated Guy Pearce to chat working with inspirational ...  Show more